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・ Jeremy Knowles
・ Jeremy Knowles (swimmer)
・ Jeremy Kolosine
・ Jeremy Kushnier
・ Jeremy Kyle
・ Jeremy Kyne
・ Jeremy Lade
・ Jeremy Laidler
・ Jeremy Laing
・ Jeremy Lamb
・ Jeremy Lane
・ Jeremy Lane (disambiguation)
・ Jeremy Lane (writer)
・ Jeremy Langford
・ Jeremy Langford (American football)
Jeremy Langford (sculptor)
・ Jeremy Larner
・ Jeremy Larsen
・ Jeremy Lascelles
・ Jeremy Latimore
・ Jeremy Lawlor
・ Jeremy Lawrance
・ Jeremy Lee
・ Jeremy Lee (disambiguation)
・ Jeremy Lefroy
・ Jeremy Leggett
・ Jeremy Leman
・ Jeremy LeSueur
・ Jeremy Leven
・ Jeremy Levin


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Jeremy Langford (sculptor) : ウィキペディア英語版
Jeremy Langford (sculptor)

Jeremy Langford (Born London, England, 1956) is a British/Israeli glass sculptor and designer. He is the son of British/Israel television director and producer Barry Langford. His artistic specialties are monumental size stacked glass sculpture, architectural glass, and stained glass. His artwork is internationally known and he has been commissioned around the world in the creation of glass art for governments, private residences, corporations, hotels, and religious organizations. Major works of his include monumental glass installations at the Western Wall in Jerusalem, the ancient tomb of the Matriarch Rachel in Bethlehem, three massive sculptures for the Trump International Towers at Sunny Isles Beach, Florida, and the new Waldorf Astoria hotel in Jerusalem. He travels internationally for projects, his studio being based in Israel.
==Personal life and professional career==

Jeremy Langford was born in London, England in 1956, moving later Melbourne, Australia at the age of 13. His first experiences in experimenting with glasswork followed two year later, melting bottles in an old ceramic kiln, using the raw material to make his first stained glass works. He moved back to the U.K. at the age of 18 and became a glass artist apprentice where he acquired the glassmaking techniques and skill sets he would use as a foundation in his later artistic works. Langford’s belief is that, “Just as a musician trains in classical music, he can then diversify and enter any musical field I feel that, with such training in traditional glassmaking techniques, I can stretch the limits and even go wildly off the established path of traditional glass working.”
Establishing himself with a studio in London in the mid-1970s, his time was divided between the U.K. and Israel while he further developed his glass art skills. During this time he began experimenting with stacked sculptural glass. Finely honing this skill, Langford has used it in the past few years in the creation of several monumental glass sculptures around the world.
Langford’s projects are featured in a number of US cities. They include three monumental sculptures in the Trump International Towers at Sunny Isles Beach, Florida and a sculpture in the Miami Four Seasons Hotel. His glasswork can also be seen at a number of public buildings in New York, California, and a number of private residences in Los Angeles and New York City. Other artistic works have been installed in several important synagogues.
Among the best-known of Jeremy Langford’s projects is the Chain of Generations Center(), a heritage center at Jerusalem’s Western Wall created in 2006. Extending down into the catacombs at the edge of the Western Wall, the site features a large and dramatic collection of glass sculptures that document the history of the Jewish people from biblical times to the present day. The project was partly funded by Mortimer Zuckerman, US media magnate. The sculptural glass artwork there features uniquely carved and etched layers of plate glass, which required nearly 150 tons of glass to create. The project received the illustrious Thea Award from the Themed Entertainment Association (The Disney Corporation)as the “Outstanding Heritage Center worldwide 2008”.
Recently, Langford has focused on making studio glass, creating sculptures for private collectors and art museums. He is also widely acclaimed for his work in the creation of glass art and stained glass for synagogues and private homes.
Langford sees a connection between his art and spirituality, and compares the physical material of glass to the state of seeking a spiritual dimension: “As a person on a spiritual path seeks to refine themselves, working in glass mirrors this process. Glass begins as sand, a lifeless substance. Though a process of heat and pressure, it becomes a bright, light-transmitting, elastic material; transparent but with defined boundaries and borders.”()

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